Document Type : Scientific- Research Article

Authors

1 University of Tehran – Pardis of farabi

2 Arabic Language and Literature in University of Tehran – Pardis of farabi

Abstract

The concept of time is considered as one of the most important elements of a literary work and its artistic creation is a diagram of the author's power and adds an aesthetic view of the text. Unlike most traditionalists who use chronological time to explain and calculate narrative time, modern writers have disrupted the plot by using this basic element and the features of Anachronism. Russian formalists have been pioneers in explaining the mechanisms of narrative time.
This study intends to use a structural-analytical method, while examining the Anachronism in the artistic structure of the drama AL"Sarir" for Youssef Al-Ani, to deal with how and methods of using time components in the plot of this drama. And continuity is profitable. And with artistry, he has used all the components of time, Flash back, Flash Forward, expansion and contraction.
The results of this research show that the linear chronological time order is disrupted during the use of narrative time. In the meantime, the external retrospectiveness of the preface has filled the gaps in the story, created a variety of narratives, and introduced his characters. Forecasts are often mixed. Descriptive pauses have a special dynamism. In this play, unlike the classical narrative methods, implicit omission is more than obvious omission.

Keywords

Main Subjects

  1. Books:
  2. AL- anbari, salah, Qasim Matroud in the mirrors of theatrical criticism, I 1, Egypt, dar nun for Translation, Publishing and Media Services, (n.d)
  3. Bahrawi, Hassan, Structure of the narrative form (space - time - character), I1, Beirut: al-markaz al-thaqafiu al-arabi, 1990.
  4. Boazza, Mohammad, Narrative text analysis (techniques and concepts), I1, Rabat: Dar Al-Aman for publishing and distribution,
  5. Boudiba, Idris, Vision and structure in Publications the narratives of Al-Taher vetari, I1, Constantine: Mentouri University, 2000.
  6. Paul, Ricoeur, Time and narration (representation in storytelling), vol 2, Translation: Rahim Fallah, I1, Beirut: dar al-kitab al-jadid al-mutahidat, 2006.
  7. jynit, Girard, Story Speech (Research in Curriculum), Translated by: Muhammad Mu'tasim, Abdul Jalil Al-Azdi, Omar Hali, I2, Cairo: al-majlis al-'aelaa lilthaqafa, 1997.
  8. Zeitoni, latif, Glossary of novel criticism terms, I1, Lebanon: Dar Al-Nahar for Publishing, 2002.
  9. Al-Ani, Yossef, ALsarir five short dramas, I1, Baghdad: Dar Al-Mada for Culture and Publishing, 2008.
  10. Abdelali, Boutayeb, Levels of study novelist text (theoretical approach), I1, Rabat: Press of al-'amniat, 1999.
  11. AL- abudi, Sabbar Shaboot Talla, Drama in Modern Iraqi Literature (Basra as an option), I1, qom: Al Mujtaba Limited Edition, 2018.
  12. AL- Eid, Yemeni, Narrative techniques in light of the structural approach, I3, Beirut: Dar Al-Farabi, 2010.
  13. Gaston, Bashlar, The dialectic of time, Translation: Khalil Ahmad Khalil, Omar Hili, I3, Beirut: al-muasasat al-jamieyt for Studies, Publishing and Distribution, 1992.
  14. ……………., Aesthetics of the place, Translated by Ghalib Helsa, I2, Beirut: al-muasasat al-jamieyt for Studies, Publishing and Distribution, 1984.
  15. Qasim, Siza, Narrative construction (a comparative study in the Naguib Mahfouz trilogy), I1, Cairo: maktabat Al-Osra,
  16. Al-Qasrawi, Maha Hassan, Time in the Arabic novel, I1, Jordan: dar al-fas for Publishing and Distribution, 2004.
  17. Lahhamdani, Hamid, Narrative text structure, I2, Beirut: al-markaz al-thaqafiu al-arabi, 1991.
  18. Ludch, David, Art of narration, Translation: Maher El-Bataly, I1, Cairo: al-majlis al-'aelaa lilthaqafa, 2002.
  19. Al-Nuaimi, Ahmed Hamad, The Rhythm of Time in the Contemporary Arab Novel, I1, Jordan - Amman, Dar Al Nafaes for Publishing and Distribution,

 

  1. Articles
  2. Hantoush, Muhammad Abbas, Intellectual implications in Yusuf Al-Ani's theatrical texts, Journal: Humanities, Iraq, Issue 18, April, 2013, (pp. 217-240).
  3. Amraei, Muhammad Hassan, study of the internal structure of the Iraqi play; The key is an example. Contemporary Literature Studies Quarterly, Year 7, Issue 25, Spring 2015, (pp. 81-104).
  4. Aklam, Sobha Ahmed; Al-Atoum, Maha Mahmoud, The Short Dramatic Script in Modern Arab Literature : (Selected Models as A Sample). Journal: University of Jordan, Jordan, Volume 44, Issue 1, 2017, (pp. 85-98).