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Abstract
  Really the religious tradition has a lofty position in the poetry at the contemporary Lebanese poet, Khalil Hawi.In fact it comprises a basic and hidden factor of his odes. Using the potentials of this tradition gave the poet an opportunity to create diversity in his poetical methods by avoiding lyrics and oratorical. And therefore, to enhance the aesthetics dimension of his poem words.  This study attempts to examine the reference to the religious tradition ( the Torah, the Gospel, the Quran) and its application in Hawis poems by means of intertextual technicues. Thinking that the who poets are noble and unique, return to the tradition and are involved in things that Roland Barthes calls "remembring". absolute unigueness is difficult for a man. Unless he wants to connect the words. It is inferred that Hawi tries to challenge political and social issues of Arabic countries with the help of religious intertexyuality. In addition, he paysparticular attention to reverse intertextuality. and gives a tragic implication to his hidden religious text for certain causes.
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