Abstract
 Repetition is the most prominent phenomenon in poetry, especially in poems of war. This technique can create various dimensions such as beauty and spirituality. Using a descriptive-analytic method the present study compares the function of ârepetitionâ in modern Arabic and Persian poems in creating war imagery in the final quarter of the twentieth century. The study wants to answer this question: what role does the repetition technique play in creating war imagery in modern Arabic and Persian poem? The study has employed the classification system of repetition by Iraqi poet and critic, Nazek Al Malaeke. He divided repetitions into three categories: declarative repetitions, division repetitions and unconscious repetitions. The main finding of the study is that repetition appears in various types (declarative repetition, division repetition and unconscious repetition) and the poets have not applied it as superficially. Declarative repetition and unconscious repetition in Persian poems are more frequent than Arabic ones while Arab poets have applied division repetition more flexibly and strongly and Persian poets use this type of repetition only in their first stanzas. The vertical distribution of all the three categories of repetition is more frequent than its horizontal distribution, a fact which gives repetition more strength.
Main Subjects
ب: الرسائل الجامعية
ج: المقالات
د: المواقع الإلكترونية
ه: المراجع الفارسية
و: الكتب
ز:المقالات
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