Abstract

Sociological criticism examines the relationship between the structure and content of a literary work and its social and historical contexts. Its aim is to uncover hidden layers of meaning, explore the social and historical forces that shaped the work, and analyze its impact on society. Among the various approaches within sociological criticism is Kemper’s theory of power analysis. This theory focuses on structural factors, including individuals’ social positions in relation to others and their emotional reactions to social situations as represented in literary works.
Drawing on Kemper’s theory of power, the present study adopts a descriptive-analytical approach to examine Nicola Haddad’s novel A State of Ladies in a Kingdom of Women. The study seeks to explore the exercise of power in the novel—whether manifested as formal and legal authority or as subtle, emotional influence—and to analyze how such forms of power bring about fundamental changes in social roles and gender relations within the narrative.
The findings indicate that power in the novel is exercised through mechanisms of control and fear, leading individuals to refrain from expressing political, critical, and social opinions due to fear of governmental and societal repercussions. The novel suggests that power, regardless of gender, requires interaction, participation, transparency, and flexibility. An excessive emphasis on the dominance of one gender without consideration of human emotions and needs is portrayed as unacceptable. Likewise, the repression of emotions—such as love—leads to the gradual erosion of political and social cohesion. Ultimately, the novel offers a deeper understanding of the dynamics of power in real societies.
Keywords: Sociological analysis; Kemper’s theory of power; Nicola Haddad; A State of Ladies in a Kingdom of Women

Extended Summary
Introduction
One of the central theories in the sociology of emotions is Kemper’s status-power theory, which examines social relations, social status, and their significance in shaping emotional reactions in different situations. Literary works—particularly novels—provide suitable material for representing and analyzing the principles of this theory.
In this context, Nicola Haddad’s novel A State of Ladies in a Kingdom of Women, written by a prominent figure of the Lebanese literary movement and the broader Arab cultural renaissance, offers an appropriate case for analysis. Since power constitutes the central theme of the novel, examining it through the lens of Kemper’s theory allows for an exploration of the multiple layers of power embedded in the narrative.
The novel presents a form of utopian—or rather critical fictional—city in which women govern a society entirely separate from men. In this imagined world, women believe that relationships with men lead to social weakness and regression. As one of the early examples of the feminist social novel in Arabic literature, the work provides fertile ground for sociological interpretation. Therefore, linking Kemper’s theory of power with the novel’s content is not only appropriate but also an effective method for analyzing the structure of power in this fictional female-centered society.
The significance of this research is evident from several perspectives. First, analyzing a relatively modern novel allows for the discovery of new dimensions within contemporary Arabic literature. Second, focusing on the representation of women’s roles and gender relations in a fictional society contributes to a deeper understanding of feminist structures and their reflection in Arabic literary narratives. Finally, integrating Kemper’s theory of power into literary analysis enriches sociological approaches to literature.
This study seeks to answer the following questions:


How are the components of Kemper’s theory of power represented in the novel?


How does the exercise of power in the novel lead to transformations in social and human structures?


Why does the redistribution of power in the narrative ultimately result in social crisis?



Materials and Methods
This research adopts a descriptive-analytical method grounded in Kemper’s theory of power. It examines the element of power in A State of Ladies in a Kingdom of Women through close textual analysis and the identification of representative examples from the novel. By analyzing key concepts derived from Kemper’s theory and evaluating the manifestation of power within the narrative, the study seeks to provide clear answers to the research questions.

Research Findings
Nicola Haddad’s A State of Ladies in a Kingdom of Women, in contrast to traditional patriarchal systems of power, conveys the message that power—regardless of gender—requires balance, transparency, and flexibility. Any form of excess or repression, even when justified by intentions of liberation, may lead to crisis at both individual and collective levels. These findings not only reflect a sociological reading of the novel but also contribute to a broader understanding of power dynamics in real societies.

Discussion of Results
Power in the novel operates in a complex and multilayered manner: from the queen’s formal and legal authority to her subtle and hidden emotional influence. These diverse forms of power reshape the social structure, placing women in positions of governmental, military, economic, and cultural responsibility. Women not only govern themselves but also control the instruments of authority, decision-making, and social supervision.
This transformation in power relations reflects an attempt to redefine gender identity and social status. However, the queen’s secrecy regarding her emotional attachment to Afrodis reveals a persistent gap between institutional power and human need. In practice, the extreme exercise of power does not preserve social order; rather, it paves the way for the gradual disintegration of social cohesion.
The sudden transfer of power from men to women overturns the traditional structure. Yet instead of establishing justice and balance, it creates a new repressive regime in which only the dominant gender has changed, while the underlying logic of domination remains intact. Although this shift appears to promote women’s liberation, it ultimately reproduces another form of ideological rigidity.
From the perspective of Kemper’s theory, this concentration of power generates emotional tension. Laws prohibiting love, human desire, and relationships with men intensify psychological conflict among the characters. The queen herself becomes entangled in this contradiction, forced to conceal her emotions—an indication of the internal crisis within the structure of power. A pervasive sense of psychological insecurity and fear of political collapse dominates the society.
In this novel, power is exercised primarily through coercion and enforcement. As a result, emotional bonds between rulers and society are severed, and an atmosphere of fear and punishment prevails. Consequently, the new structure of power, despite its emancipatory claims, ultimately faces a macro-level crisis rooted in its own principles.